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Literature Text
Grandpa George was a fascinating man. He’d grown up in New Hampshire, survived the Great Depression, and served in World War II before settling down in San Diego. If you asked him why he’d moved here, he’d say he was sick of having to dig his butt out of snowstorms. Yet he still retained the industrious quality of New Englanders, and much of this industriousness was spent on earthquake-proofing his home. I never knew why he was so obsessed with this, but if anyone knew how to survive an earthquake, he did. Faded family photos were stuck to the walls with earthquake putty, the fridge and cabinets were bolted to the walls, and the TV was held hostage with bungee cords and Velcro. For the record, native Californians like myself rarely worry this much about earthquakes.
Grandpa George’s backyard was one of the few things he owned that wasn’t screwed down or stuck onto something else. It stretched for few acres, and he had planted most of it with a sea of berries: blackberries, strawberries, and boysenberries. This backyard was an oasis in the midst of suburbia; George had bought this land years before others dreamed of moving out here. Growing these berries was a hobby he’d long cherished; I often sat listening to his stories about summers spent berry-picking in the White Mountains. When it came time to pick his berries, he’d recruit me and his other grandchildren to help him do the job, though he’d always pick the most berries. After the berries were picked, he’d make his own jellies and jams by adding sugar to the berries, boiling the mixture, and putting it into recycled peach jars. These jars were then placed in the small basement he had made specifically for storing jellies. It worked well; they turned out stickier and far more delicious than anything bought in a store.
One winter, after berry season had long passed, I was looking at the billowing clouds outside, mesmerized by their ever-changing shapes and patterns. A murder of crows on the ground suddenly shot towards the sky, and as I stared at their synchronized flight, the ground fell out from under me. The sky and berry bushes were shaking violently, and I thought immediately of Grandpa George. After the shaking stopped, I went inside to see what happened to him. He wasn’t in the kitchen, or the living room, or the bathroom, or any of the bedrooms. When I reached the basement, I found him lying unconscious on the floor. I rushed towards him, avoiding the jelly jar shards, and quickly checked his pulse. No sign of life. But this didn’t make sense; the wounds he’d received from the falling jelly jars didn’t look severe enough to kill him. Then I saw it: jelly plugged his nostrils and throat, leaving him unable to breathe.
And that’s how Grandpa George died. From jelly.
Grandpa George’s backyard was one of the few things he owned that wasn’t screwed down or stuck onto something else. It stretched for few acres, and he had planted most of it with a sea of berries: blackberries, strawberries, and boysenberries. This backyard was an oasis in the midst of suburbia; George had bought this land years before others dreamed of moving out here. Growing these berries was a hobby he’d long cherished; I often sat listening to his stories about summers spent berry-picking in the White Mountains. When it came time to pick his berries, he’d recruit me and his other grandchildren to help him do the job, though he’d always pick the most berries. After the berries were picked, he’d make his own jellies and jams by adding sugar to the berries, boiling the mixture, and putting it into recycled peach jars. These jars were then placed in the small basement he had made specifically for storing jellies. It worked well; they turned out stickier and far more delicious than anything bought in a store.
One winter, after berry season had long passed, I was looking at the billowing clouds outside, mesmerized by their ever-changing shapes and patterns. A murder of crows on the ground suddenly shot towards the sky, and as I stared at their synchronized flight, the ground fell out from under me. The sky and berry bushes were shaking violently, and I thought immediately of Grandpa George. After the shaking stopped, I went inside to see what happened to him. He wasn’t in the kitchen, or the living room, or the bathroom, or any of the bedrooms. When I reached the basement, I found him lying unconscious on the floor. I rushed towards him, avoiding the jelly jar shards, and quickly checked his pulse. No sign of life. But this didn’t make sense; the wounds he’d received from the falling jelly jars didn’t look severe enough to kill him. Then I saw it: jelly plugged his nostrils and throat, leaving him unable to breathe.
And that’s how Grandpa George died. From jelly.
Literature
Progesterone.
you should ask,
fittingly,
if one could die from bruises
or pressure, sub-
marine and ready to tip
like
an ancient bell-curve.
naseous, I am full
of textbooks, upper-layers of
disgust and
seizures.
but you'll come down south
with me, after our bones
ache and stretch and I
told them, I did, that
all I needed was comfort,
yours --
at night, and I don't
care about doors.
please, please let your
optimism be
true.
Literature
The Farmers Son
We sat sipping grappa as the storm clouds rolled in from the ridges
like the smoke from some great unseen inferno,
the wood walls and shingles of the house complained to us
in low groans,
of the wind coming up hard, through the valley,
and there was flickering light from a candle,
and she told me how light from a prism dissects into different colours that correspond
in some way to our bodies and that all of life was a rhythm
and I believed that part,
and I believed there were stars beyond the sight of man on any grey day
and that they might hold some greater secret than prisms or rhythms
or any question a farmers son could ever
Literature
Mayfly
It's a nudge from the Naiad orbiter that brings me fully to my senses, and, instinctively, I find myself checking my systems. Power from her solar panels quickly floods my own circuits, and I flex instruments and senses that feel like they've been dormant for all too long. Which they have, of course.
"Wakey, wakey," the Naiad's saying, as I burn through the reports and telemetry my body's feeding me.
Some of my instruments have iced-up, I realise. But that's a minor concern. Everything else is sound.
"Are we there yet?" I reply.
"We are indeed."
"Mayfly, this is control. " The signal's peppered with static, and I quickly adjust for the D
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True story: an earthquake woke me up this morning. (And I was dreaming, too...) So when I decided to write this piece, I knew I wanted to have an earthquake in it. I also thought the "Death by Jelly" prompt was interesting, and I am hoping that 2+2=4 here. The "I" here is not myself; I am not speaking from any autobiographical experience, but I am speaking from the experience of a native San Diegan (well, I don't live in San Diego per se, but I do live nearby...). I missed the deadline yesterday, so I knew I had to bring my A game today. And I think I brought it. ^_^
© 2009 - 2024 kajigoddess
Comments2
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You definitely did! And it's always fun when people manage to write something based on the prompts; "death by jelly" mostly made me think of things like [link] The Stuff
Umm. That aside: very nicely written story, I think you really nailed the characters and the setting, although I suppose the ending was a little abrupt. Maybe you should've mentioned once or twice during the story that he liked to go down into the cellar and eat his own jelly in secret
Well done!
Umm. That aside: very nicely written story, I think you really nailed the characters and the setting, although I suppose the ending was a little abrupt. Maybe you should've mentioned once or twice during the story that he liked to go down into the cellar and eat his own jelly in secret
Well done!